Carpet Crawlers


* Peter Gabriel (Feb. 13, 1950)


[There is lambswool under my naked feet]The wool is soft and warmGives off some kind of heatA salamander scurries into flame to be destroyedImaginary creatures are trapped in birth on celluloidThe fleas cling to the golden fleeceHoping they'll find peaceEach thought and gesture are caught in celluloidThere's no hiding in memoryThere's no room to avoid
The crawlers cover the floor in the red ochre corridorFor my second sight of people, they've more lifeblood than beforeThey're moving in time to a heavy wooden doorWhere the needle's eye is winking, closing on the poorThe carpet crawlers heed their callers"We've gotta get in to get outWe've gotta get in to get outWe've gotta get in to get out"
There's only one direction in the faces that I seeIt's upward to the ceiling, where the chamber's said to beLike the forest fight for sunlight, that takes root in every treeThey are pulled up by the magnet, believing they're freeThe carpet crawlers heed their callers"We've gotta get in to get outWe've gotta get in to get outWe've gotta get in to get out"
Mild-mannered supermen are held in kryptoniteAnd the wise and foolish virgins giggle with their bodies glowing brightThrough the door a harvest feast is lit by candlelightIt's the bottom of a staircase that spirals out of sightThe carpet crawlers heed their callers"We've gotta get in to get outWe've gotta get in to get outWe've gotta get in to get out"
The porcelain mannequin with shattered skin fears attackAnd the eager pack lift up their pitchers, they carry all they lackThe liquid has congealed, which has seeped out through the crackAnd the tickler takes his sticklebackThe carpet crawlers heed their callers"We've gotta get in to get out We've gotta get in to get outWe've gotta get in to get out"
"We've gotta get in to get out We've gotta get in to get outWe've gotta get in to get out"
"We've gotta get in to get out We've gotta get in to get outWe've gotta get in to get out"
"We've gotta get in to get out We've gotta get in to get out"
The carpet crawlers heed their callers"We've gotta get in to get out We've gotta get in to get out"
Source: LyricFind
Songwriters: Anthony George Banks / Michael Rutherford / Peter Brian Gabriel / Phil Collins / Steven Richard Hackett
Carpet Crawlers lyrics © Concord Music Publishing LLC, Sony/ATV Music Publishing LLC



Here's what X/Grok 3 reads into the lyrics (including a change of the chorus from "we" to "you"):

The song "Carpet Crawlers" by Genesis, from their 1974 album The Lamb Lies Down on Broadway, is a haunting and enigmatic piece within a complex concept album. Its meaning can be interpreted on multiple levels, as the song is steeped in surreal imagery and layered with thematic ambiguity, reflecting the album's broader narrative and philosophical undertones. Below is an analysis of its meaning, drawing from the song’s lyrics, the album’s context, and common interpretations:

1. Context within The Lamb Lies Down on Broadway

  • The Lamb Lies Down on Broadway is a concept album that follows the surreal journey of Rael, a Puerto Rican youth in New York City, through a dreamlike underworld of trials, temptations, and self-discovery. Carpet Crawlers appears in the second half of the album, during a pivotal moment in Rael’s journey.

  • The song describes a scene where Rael encounters a group of people crawling along a carpeted corridor toward a distant light or salvation, guided by an almost involuntary compulsion. This scene is one of many surreal vignettes in the album, blending spiritual, psychological, and existential themes.

2. Lyrical Themes and Imagery

The lyrics of Carpet Crawlers are poetic and open to interpretation, but key themes emerge:

  • Struggle and Conformity: The "carpet crawlers" are depicted as individuals moving slowly, almost helplessly, toward a goal ("a red-eyed door" or a light). The crawling suggests a lack of agency, as if they are compelled by an external force or societal pressure to follow a predetermined path. The repeated line, "You’ve got to get in to get out," implies a paradoxical need to endure struggle or conform to escape a situation, possibly symbolizing life, societal systems, or spiritual quests.

  • Spiritual Allegory: The imagery of crawling toward a light or door evokes religious or spiritual connotations, such as the journey toward enlightenment, salvation, or transcendence. The "fleas cling to the golden fleece" and the "mild-mannered supermen" suggest a collective yearning for something greater, yet the journey is fraught with futility or illusion.

  • Human Condition: The song reflects on human existence, the drive to seek meaning, and the often Sisyphean nature of that pursuit. The crawlers’ slow, almost passive movement contrasts with the urgency of their goal, suggesting a commentary on how people can become trapped in cycles of striving without questioning.

3. Peter Gabriel’s Intent and Symbolism

  • Peter Gabriel, Genesis’s lead singer and primary lyricist at the time, crafted the album’s narrative to explore themes of identity, alienation, and transformation. In interviews, Gabriel has described The Lamb Lies Down on Broadway as a story of self-discovery, loosely inspired by Jungian psychology, existentialism, and his own experiences. Carpet Crawlers can be seen as a microcosm of this journey, with Rael (and by extension, humanity) grappling with the tension between individuality and collective behavior.

  • The "carpet crawlers" may symbolize people caught in a herd mentality, blindly following a path toward an uncertain goal. The “red-eyed door” could represent a false promise of salvation or a gateway to another stage of existence, while the act of crawling suggests humility, degradation, or submission.

4. Musical Atmosphere

  • The song’s slow, hypnotic melody, with its delicate keyboard lines and Gabriel’s emotive vocals, enhances the dreamlike and introspective mood. The music creates a sense of both longing and entrapment, reinforcing the lyrical themes of striving for something unattainable or illusory.

5. Broader Interpretations

  • Existential Reading: Some fans and critics interpret Carpet Crawlers as a meditation on the human condition, where individuals are driven by an innate desire for meaning or transcendence but are hindered by their own limitations or societal structures. The phrase "you’ve got to get in to get out" could reflect the idea that one must fully engage with life’s struggles to find resolution or escape.

  • Religious Commentary: The imagery of crawling toward a light or door has been linked to Christian or mystical ideas of salvation, with the "carpet crawlers" representing pilgrims or souls seeking redemption. However, the song’s tone suggests skepticism about whether the goal is real or worthwhile.

  • Societal Critique: The song could critique conformity and the ways people are drawn into systems (religious, political, or cultural) that promise salvation but demand submission. The crawlers’ lack of agency reflects a loss of individuality in the face of collective pressures.

6. Fan and Cultural Impact

  • Carpet Crawlers is one of Genesis’s most beloved songs, often cited for its emotional depth and lyrical richness. Its ambiguity allows listeners to project their own meanings onto it, making it a versatile and enduring piece.

  • The song was rerecorded in 1999 as Carpet Crawlers 1999 with both Peter Gabriel and Phil Collins on vocals, signaling its significance to the band’s legacy. Fans often see it as a standout track that encapsulates the album’s themes of searching and struggle.

7. Conclusion

The meaning of Carpet Crawlers is deliberately ambiguous, inviting listeners to interpret it through their own lens. At its core, it seems to explore the tension between individual desire and collective compulsion, the pursuit of meaning in a confusing world, and the paradoxical nature of striving for freedom or salvation. Within the context of The Lamb Lies Down on Broadway, it reflects Rael’s (and humanity’s) journey through a surreal landscape of self-discovery, where the path to enlightenment is fraught with uncertainty and sacrifice.


Comments

Popular posts from this blog

Thank you!

Inkompetenzkompensationskompetenz

November Rain